Reframing - Learning is Satisfying

"Good afternoon, Beth. Enjoy your workout." 

When I first joined the Y, getting a greeting like this was very helpful. And it wasn't because they knew my name, which pops up on the computer when a member scans in. It was the word "enjoy." It had been a long time since I had done any workouts other than walking, and while I was excited to try new things, I also knew it was likely to be uncomfortable. Framing the workout as something to enjoy changed my outlook on what I was about to do. While that was only a small part of how the Y changed my life, it was an important part.

Often, in school, we give in to a negative view of work - student work anyway. Then, we take one of two approaches at either end of the attitude spectrum.

1. Make everything super fun, even if it sacrifices the actual learning or takes longer than the curriculum pace would allow for. We hope turning everything into a game or relay race will distract kids from the fact that learning is work.  Fun is what matters because it is motivating! And, if we need to trade in some content for the time it takes to tally game points, so be it.
2. Adopt a "suck it up and do it anyway" attitude. This technique is employed most with high school students. We tell them that the "real world" is filled with things they won't want to do but still have to do, and this is good training for that. I'm here to teach you, not entertain you. Who cares if you are motivated or not.

There is truth involved in both of these extremes.  Certainly adult life does involve a lot of things that have to be done whether you are motivated to do them or not, and certainly some things are inherently fun.  But the day to day of school exists between these two extremes.  Motivation often comes from places we don't expect and find it difficult to plan for.

What if we reframed work for our students the same way the Y reframed a workout for me? 

Example:  Lifting heavy things is not inherently fun, and no peppy song will change that. It's uncomfortable on purpose. Does Matt change the "lesson plan" to make it less difficult? Does Dana say, "Let's skip around outside instead of doing triceps because you will be more motivated if it is fun"?  No. (Although that second one would be a decent aerobic workout; it would not achieve the purpose of the BodyPump class.) They do two things that are motivating:

1. They are joyful. This is not the same as making activities fun. It's an attitude they communicate. I have had instructors for this class that take it (and themselves) so seriously you cannot focus on anything but the number of reps left. That makes for an awfully long class. I have also taken it with an instructor that just makes everything silly, singing along with every song to the extent that you can't know what you are supposed to do next. Matt and Dana are neither of these. They are joyful about the workout. They make some jokes, but the class isn't about the jokes. They create a community spirit by knowing who likes certain songs or certain movements. "We're doing planks just for your today, Dan." or  "I know Kamryn is going to like the Rhi-Rhi bicep track today" or "Beth's favorite - shootouts." Planks, shootouts, and biceps are just as challenging, but they are now framed as someone's favorite, so others might find joy in them too.
2. They focus on the satisfaction of the outcome. While I have never heard the phrase "no pain, no gain" in my time at the Y, the sentiment is still there. The payoff of the discomfort you are feeling in the moment or the soreness you will have tomorrow is in the satisfaction of the outcome. So, while you are doing a sumo squat with a weighted bar on your back, Matt tells you which muscles you are strengthening. While you are clenching your upper thigh in Barre, Dana says, "It's your free butt lift, courtesy of the YMCA." 

So, school teachers, what can we learn from this? We can learn that there is a happy medium between frivolous and fatalistic. 

A teacher doesn't have to be a non-stop fun machine to approach learning with joy. You cannot out-entertain or out-engage their phones, so stop trying to. Show them your joy and watch it spread. There are not many ways, for example, to make learning the periodic table a rip-roaring good time, but my students knew how much I loooooooved the periodic table. I constantly expressed my own amazement of it and told them that I hoped they would one day learn enough about it to appreciate it as much as I did.  "Every year, I find something new to appreciate about it," I would tell them, even after teaching it for over 20 years. When we balanced chemical equations, I would say, "If you are the type of person who enjoys solving puzzles, you will probably enjoy these" because there is definitely a satisfaction that comes from the equation finally coming out right.  I took EVERY opportunity to communicate how much I loved learning new things, including my delight when they asked a question I couldn't answer because then we could find out together. I didn't limit it to science because I wanted them to see that learning is joyful outside of what you do for your job, so I talked about art and music and books and how much I liked the unit circle. If someone had Julius Caesar sitting on their desk, I made a big deal about it being my favorite Shakespeare play. Learning can be joyful for its own sake, and we don't have to gamify our classes to communicate that. (I'm not trying to dog on people who gamify, by the way. I would just ask you to think about the opportunity cost involved if you are spending a lot of time on it.)

Learning is hard work. There's no getting around that fact. If you think changing your muscles requires focus and energy, it pales in comparison to changing your neurons. But a teacher doesn't have to adopt a "Life's hard; then you die" mentality to help students learn. They can, like a good weightlifting instructor, emphasize the outcome of the work. "When you learn to write a well-crafted paragraph, you will be able to communicate your ideas in a way that is actually persuasive to others" will help a student realize that the hard work of writing well has purpose.  "You know who uses this kind of math? Video game designers" will help kids recognize purpose beyond the grade book - even if they don't intend to become a game designer themselves. Learning has multiple outcomes, so think about value and relevance outside of making money from it.  I once had a student who was clearly going to be a musician and didn't understand why he needed to learn chemistry. Was I going to convince him that he needed science as a fallback? No, that would have been stupid, but I didn't convince him that the brain training he was doing to write chemical formulas would help him ad lib when he forgot the lyrics on stage later in his life.  

By being joyful and focusing on outcomes, we can help students reframe the learning experience. It is challenging and requires work, but it is also satisfying and enjoyable. We must communicate that these are not mutually exclusive. 

Book Review - The Lockdown Artist by Jay Wamsted

One of the best things I can say about a novel is that I lost sleep over it - not because of the content, but because when it was bed time, I wanted to read one more chapter. This is absolutely the kind of experience I had with The Lockdown Artist by Jay Wamsted.

I have followed Jay on Twitter (currently X) for quite some time and know him to be a fun and engaging school teacher. When I saw that he had written a novel, I wanted to support him, and I knew that the book would be fun.  What I didn't know was what a gripping story it would be - think 1984 in a high school for a general framework, but it is more than that. There are shades of Frankenstein and Hunger Games (and sadly some hints of Project 2025 - although that might have been my addition as I was reading it just after the deaths in Minneapolis).

What I most appreciate about Jay's writing is how much he respects his young adult audience - something actually quite rare in YA literature. So many YA authors feel like they have to over-explain to avoid confusion, but what that really does is avoid excitement. Young readers like to have things revealed after they have thought about them for a while, hence the success of the Harry Potter franchise, where some payoffs came two to three books later.

In The Lockdown Artist, you arrive along with a new student, Liam, in the middle of the school year.  Rather than spoon feed you an explanation of the school, Jay knows that the reader is capable of figuring things out as the story unfolds and doesn't bore them with a ton of exposition at the beginning. You find out parts of the mystery as the characters do, so there are surprises around every corner (almost literally). There were moments where I sat up straighter and said, "No.  Oh, what are they going to do now?" out loud while I was reading.

Characters can be tricky in YA lit as well because they are often written by adults who either write their teen characters as adults in young bodies or write them as clichéd tropes of pop culture references. Jay's teaching experience means he knows adolescents, and he writes these teenagers as complex, three dimensional characters (salty language and all) rather than stereotypes. I appreciate that, and I think young adult readers will too.

The book didn't end quite the way I envisioned or perhaps even hoped, but it does end in an interesting and thought provoking way. I highly recommend this book to high school, college, and adult readers who enjoy a little dystopian fiction in their lives.

Yes, We Are Like That - And We Should Repent

When Joe Biden was President, and there were shootings or tragic crimes, he often put some variation of the sentence "This is not who we are as Americans" in his response speech. While I know what he meant, each time I thought, "If it's not, then how does it keep happening here?" It would have been more accurate to say, "This is not who we SHOULD be as Americans."

For the past two weeks, as we have witnessed the clash between ICE agents and protestors in Minnesota, there have been similar sentiments online. After Renée Good's death, one tweet read, in part, "We love our neighbors. We aspire to live by the Golden Rule. We are better than this." Another said, "Consider the outlook Jesus would have on you celebrating her death. We are not them. Stop acting like you are."

This isn't a semantic difference. To declare that our actions do not reflect who we are just doesn't make sense. What are we asking people to judge us by if not the things we say and do. If not our actions and our words, what are we?

Statements like this, even when well meaning and aspirational, are a problem. They give cover to the darkest parts of us while allowing us to delude ourselves into believing that our hearts are not dark. You've gotten this non-apology from someone, "I'm sorry I said that, but you know I didn't mean it. That's not who I am." We've seen this from celebrities like Paula Dean, Mel Gibson, and Michael Richards after their very public racist rants. Some jumped to defend them because of the circumstances under which they said it (duress, drunkenness, being pushed to their limits, etc.). 

But here's the thing. Something can't come out of you if it's not in you. No matter how hard you squeeze an orange, you won't get coffee out of it. 

If a tube is unlabeled, the only way to know if it is toothpaste or Preparation H is to put it under pressure. Pressure doesn't create; it reveals. 

We shouldn't apologize for saying something we didn't mean; we should apologize for meaning it. And, we should definitely not minimize things by claiming it to be outside of our character.

Teachers, this matters in our classrooms. If we want to help our students develop good character, we cannot let them get away with "that's not who I am" apologies. And, we can't model them. When we have lost our temper or crossed the line in our speech, true apologies are needed, not evasions of responsibility dressed up as contrition. True apologies include three things: 

1. An admission of the action (I did/said this thing.) 
2. An acceptance of the damage done (This thing I did harmed you.)
3. An attempt to make things right (I will repair what can be repaired, and I will not do this again in the future.)

This is going to take more time than "Say you're sorry," which is what we so often do with little to no regard as to whether or not it is sincere. But the discipling that happens is worth the investment. Most teachers have some kind of paraphernalia (coffee mug, wall hanging, t-shirt) that says we touch the future; well here's how we do it. Imagine a future in which people have been taught, not just to say they are sorry, not even just to express remorse, but to reconcile. What a better future that would be.